I received an email request from a young student of art named Rosie today, and my reply became something I thought I'd like to share. Here's her email to me, and my reply:
Hello, I am year 11 student at the Kings Academy, and I am currently
studying gcse art there and the topic I'm doing is based on close ups. When I came across some of your work it inspired me to base my work on
animals. I would like it if you found the time to help me, my question
to you is, what inspired you? Why did you choose to base your work on
what you did? Thank you for your time, I really appreciate you took your
time to read this.
Hi Rosie,
I'm glad you found my work inspiring!
I consider myself one of the lucky people who can find inspiration in
almost anything. In fact I frequently wish I could live several lives
just to have enough time to paint everything I've ever thought about
painting. My current and recent subject matter evolved as a result of a
lot of things, but mostly from some specific advice of an experienced
artist mentor, and a lucky client purchase.
The artist Sara Eyestone
gives the advice in a 'business of art' workshop: to work in a series.
She says pick a subject/genre and a consistent dimensional size (ie: 2/3
ratio rectangle, or a square, etc) and create at least 20 paintings in
this similar theme. This way, when you have an exhibit, it will all look
great hung in the same room of a gallery, or at an art fair. And since
the dimensions are the same, you can choose the best 12 and print a
calendar.
Well, I hadn't yet really chosen my subject for a series when a large
(24x24) longhorn painting sold to a client at an art fair. I told him
about another cow painting the same size that I had at a gallery in a
nearby town. He went to see it that same weekend, and bought it. (These
were the first cow paintings I had ever done!)
Well, then I thought, "I'll have to paint more cows!" And I've been
painting cows for the past 3 years or more. Being a practical sort of
business-person as well as an artist, I do find that my subject matter
is driven by what sells. But I do believe that choosing a specific
subject or genre and creating a unified body of work creates an appeal
with clients, looks much better at shows and fairs, and can also
indicate a seriousness of purpose as a dedicated artist that more
serious collectors will appreciate.
I haven't limited my subjects to just animals; I also do portraits
and landscapes. I do like to work in series whenever I can, especially
when working small (you can see a lot of my 'mini-series' of small
paintings throughout by blog posts
of the past 2 years) I've done seagulls, sunsets, ranch roads,
Renaissance portraits, small watercolor road sketches, etc... and of
course, the 5x7 cows and other animals - over 200 now!
I believe what specifically led to the small cow 'portraits' was the
continued sales of cow paintings, and the knowledge that smaller, less
expensive paintings are what sell better. I had first tried a couple of
6x8 cow paintings, but to work that small with the entire body didn't
appeal to me, so, being a portrait artist by nature, I settled in to
doing some 4x6's of just the 'portrait' area of the cow - head and
chest. These migrated to 5x7's and stuck! At some art fairs I would
paint new ones at my easel to pass the time, and would sell them almost
before they were finished! Nothing like instant sales to inspire more
paintings!
A funny thing happens when you commit to one subject for such a
length of time and through so many paintings. What began as a business
decision because of good sales, became slowly over time a real
fascination with the cow. I've learned more about cows (like what breeds
are what) since I've been painting them than I ever knew before. And
there's something about them, their curiosity, their various
personalities (Longhorns will ignore you; large herds of Brahmans are
skittish; small mixed herds are the best because they're friendly and
curious.) And since I take all my own reference photos, my experience of
'being there' watching, observing and learning has been able to add
something to my experience of painting them over these years.
Well, maybe this is more than you needed, but I hope it helps! Good luck with your art!
Rita
Monday, January 28, 2013
Tuesday, January 1, 2013
New Years Resolution - First Do the Work!
An artist friend of mine sent me a nice New Years email to compliment my 'pencil work' from recent posts of portrait drawings, and was asking for a bit of advice on how to draw so well. She really answered her own question by admitting she needed to draw/paint more and had set a new resolution for herself to paint at least 3 days a week.
In replying to her email, I found myself in just the right mood to get out some good advice, so I thought I'd use it to help with my own goal of posting more often and share it here! It's nothing I haven't said before in conversation, and you've probably heard variations of the same advice, but I believe it's human nature to need to hear certain things over and over before they start to sink in...
In replying to her email, I found myself in just the right mood to get out some good advice, so I thought I'd use it to help with my own goal of posting more often and share it here! It's nothing I haven't said before in conversation, and you've probably heard variations of the same advice, but I believe it's human nature to need to hear certain things over and over before they start to sink in...
Hi friend,
Great to hear from you!
Yes the 'pencil work' is all about years
of doing it... One project I've left half-done from earlier last year is
to scan in all my photos of portrait drawings from '85-'92, from my
pre-digital era, and combine those with the images I have in my computer
from '93-present, and create a time-lapse kind of fast slide-show
zipping through all the hundreds and see how long the video would be at
one image per half-second or something. And those would just be the ones
I actually took a picture of... I estimate that's only about 25% of all
the ones I've done, and that's not counting the profile sketches in
amusement parks from '86-'97. =O
So, yes, the BEST goal you could possibly
set for yourself and KEEP is to paint/draw/do art every day, or at
least 3 days/week. But I gotta tell ya, when I'm away from the easel a
few days or more, it takes me a day to get back 'into' the swing if it,
so your second and more consecutive days of painting will be more
successful most likely!! The subsequent days are also easier and more
exciting BECAUSE the work looks better, so keep at it, when your first
paintings of the year look icky, just see them as 'practice' and keep
going!!
An amazing thing happens when you COMMIT
to painting/drawing every day (or at least creating several small
paintings a week) -- it gets addictive! I think an important part of the
process is to POST them (at least speaking from the standpoint of a
'daily painter and online blog poster') When I'm actually able to post
an image on my blog for a week or two of consecutive days, I almost physically
miss it when I have to skip a day for whatever reason, I get VERY
disappointed in myself, and it's mostly about breaking that good 'run'
of posts. The posting almost becomes the end goal, and the painting
enough to create 7 things per week to post just becomes the 'assignment'
I give myself so that I can do the posting!
In a strange way, this
attitude makes the painting easier because instead of getting to the
studio and moaning about "what do I want to paint today?" it's more like
"it doesn't matter what I paint, I just need seven things to post this
week, and If I can get 3 done today, and 4 done tomorrow, I'll have the
rest of the week free!"
Ha, I do think that way, but
realistically, I'll get 2 small paintings done, then break for lunch,
then get tied up on the computer, then it will be time to take Audrey to
her gym class, then it will be dinner time, etc etc. So life does
intrude, it's a fact.
But as I was told by artist Sara Eyestone
in one of her Art Marketing workshops, "First thing is, you must DO THE
WORK!" She says to fill out your schedule in a datebook, put in all the
immovable obligations, classes, appointments, 'real job' work, meals,
etc, and put 'paint' or 'studio' in everywhere else. Be flexible
whenever possible; delegate some chores, push dinner back an
hour so you can get an extra hour in the 'studio' that day, etc. But
most of all, stick with it! Make painting a habit! For some people,
putting it on the calendar makes it real, so this works.
Happy New Year and Just Do It!
Rita
Thanks for reading, and please share!
.
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